A MIDSUMMER NIGHT'S DREAM
Kane Prestenback’s Flute is low-key but endearing.
He shines... as a wonderfully manic
Thisbe in the play-within a-play, until the end when his performance becomes
moving, dramatic and heartbreaking
... excellently executed.-- Michael Kostroff, PlayShakespeare.com
AESOP'S FABLES (Broadway's
Circle in the Square Theatre, directed by Theodore Mann)
“The adult actors... morph so
effectively into forest creatures that it hardly matters that
“Aesop’s Fables” has no scenery.
...[Kane Prestenback's] Roddy
rocks out." -- New York Times
SWEENEY TODD
“Kane Prestenback is vivid
as the boy Tobias, who takes shelter in
Sweeney's house, and he brings a sense of urgency
to the lovely ballad "Not While I'm Around." -- Orlando Sentinel
“[A winning performance] from Kane Prestenback as Tobias...
Prestenback's
voice is clear and
beautiful as Tobias, with his innocence especially evident in
the most well-known number from the musical, ‘Not While I'm Around’...”
— Talkin’ Broadway
KID-SIMPLE
“Every one of the actors is terrific, [including] the ingenuous Kane Prestenback as Oliver.” —
Orlando Sentinel
BATHHOUSE: THE MUSICAL
“A show like this only works with good performers, and the producers
chose wisely… all four of them are terrific
singers and dancers. The fact that they also have a great sense of comedic timing makes "Bathhouse"
a treat.” — The Reporter
Oh yes, it's Raining Men, as a trio of Dancing Queens (Karl Anderson,
Jerry Jobe Jr., Kane Prestenback, all superb) take Like a Virgin--Billy
from the closet to the military (a rewritten "Yankee Doodle Dandy").—
Orlando Sentinel
A YEAR WITH FROG AND TOAD
“Frog and Toad have their backup singers too -- a tuneful
cast of three (Dera Lee, Elizabeth Block and Kane Prestenback), who
turn from birds to mice to moles with the change of a hat. Prestenback
is especially adorable
as Snail, the would-be mailman who
believes with all his heart he's moving faster than he is. Under Chris
Jorie's direction, all three lend an air of nonchalance that keeps this
children's story from turning too sugary.”— Orlando Sentinel
